Evaluation Essay Example | Topics and Well Written Essays - 1000 words

Evaluation - Essay ExampleBeing an artist to a fault takes the skill to evaluate champions self in relationship to the creative moment, to be able to channel that something from deep inside into the piece so that the work is something more than just pretty. In deciding to be an artist, the pathway towards artistic achievement is far beyond the imaginings of the ascertain, even for the artist. Technique evolves through and through the experience of working with a medium. matchless learns through the educational venue, through working with materials, and through exploring with the raw substances that will go into creating the piece of work. One of the surprises in working with the materials that I have chosen for my body of work is that it takes so much longer to assemble a work than I had ever imagined. condescension that fact that it took someone like Seurat two years to paint Grande Jatte, I was surprised at how long different types of small work took to complete (Elkins74). On e of the mediums that I used was to assemble work using a colour palette developed from magazine clippings and weaving. The piece that I created, a scene of one boy carrying another on his back, took me a long length of time because of the limits on the colour palette and because of the elaborateness of the work. While I expected that the intricacy of the work would take a great deal of time, it was unexpected that it would take so long to sort through the colour availability in identify to successfully construct the image. In hunting lodge to work on the piece, I had to construct a frame of mind in which deep concentration and meticulous, detailed work could be achieved from the placement of the magazine shreds. As well, it took a great deal of time to work adapt two paintings into one piece of work. The heading is to awaken the spirit of the integration of the Caribbean and British cultures through putting in concert imagery of The London Bridge in England and the fondling Br idge in the Caribbean. The symbolic representation of the bridge between cultures is made literal by the integration of the images of two bridges from differing culture in order to create a symbolic union. The Kissing Bridge in the Caribbean is a common sight where weddings are held, thus it extends the interpretive platform that I labeled Culture Marriage, in order to express the interlaced iconic imagery that were used to connect both cultures. My work is highly textural, the use of fabrics and weaving techniques creating a visual complexity that comes together to support the language that I have created through the discourse within my work. Because I have chosen to work with textiles, I was invited to integrate my work into an resultant of a free-range exhibition of the work of fashion students at our university. I used this event as a preliminary experiment towards the eventuality of my let exhibition. I found that people were attracted to my work because of the textural elem ents that were involved in creating the work. Because of the tactile element, some people wanted to reach out to the work and touch it to experience it from more than just the sense of sight. This type of sensory art experience allows for the viewer to experience the art on many levels, although it is more preferable if viewing audience do not disturb the pieces (Hinz 63). The type of communication that I intend with the work is partially through the textural elements, conveying the multiple layers of culture and the way in which culture has a variety of dimensions. This surprising