Thursday, May 21, 2020

Midterm Exam Draft ( Parts 1 - 1726 Words

Brad Wyzykowski Professor Gerber HIS300 4/5/2017 Midterm Exam Draft (Parts 1 2) Part 1 This debate is set April 12, 1861 between a congressman from New Haven, Connecticut, of the United States of America and a congressman from Jackson, Mississippi, of the Confederate States of America. Each congressman is very well informed of the issues leading up to the Civil War. They will debate over a variety of different issues that include secession validity, race relations, a plan to win the war, and a postwar vision. Each side will have a chance to debate said facts, opinions, and convincing arguments in a respectful manner. Was slavery the main cause leading to up to the Civil War, or was it states’ rights? With so many factors at play, the†¦show more content†¦Slavery is inhumane. It portrays our country in the most negative way. Calhoun was a brilliant man, but his reasoning behind the slavery following the flag was inhumane in all aspects. If we are all equal under the constitution, then why are we denying colored people these very rights that they deserve ? Any person with a sense of humanity and life would deny your reasoning. You had no right to secede. Slavery does not follow the flag in any right-minded nation. Secession only portrays your actions as inhumane and childish.† CSA Congressman: â€Å"It is not based on the fact of inhumane ways, it is based on the act that you were in direct violation of the constitution. You must respect our constitution and our history! We took action as we should have. We were never stubborn, but right-minded, as well as driven by our roots. The election of â€Å"The Black Republican† was a complete threat to our beliefs and what we worked so hard for. Secession was completely necessary at this point in time. We would have been deprived of more rights if we did not secede. Every action is followed by a reaction and therefore we split. Our rights were threatened and we took action as necessary.† USA Congressman: â€Å"Congressman, it was your pride and you honor that was at stake. President Lincoln had no intentions of taking away your rights. His values are very traditional, just as his attitude is. We are all driven by our roots of history. Secession wasShow MoreRelatedBusn/278 Budgeting and Forecasting – Course Project – Weekly Discussions -Midterm Exam1511 Words   |  7 PagesDiscussions -Midterm Exam Click Link Below To Buy: http://hwcampus.com/shop/busn-278/busn278-budgeting-and-forecasting-course-project-weekly-discussions-midterm-exam/ Or Visit www.hwcampus.com BUSN278 Week 1 Section 1.0 Executive Summary (Draft) BUSN 278 Week 2 Section 2.0 Sales Forecast (Draft) BUSN278 Week 3 Section 3.0 Capital Expenditure Budget (Draft) BUSN278 Week 4 Section 4.0 Investment Analysis (Draft) BUSN278 Week 5 Section 5.1 Pro Forma Income Statement (Draft) BUSN278Read MoreDr. Kirklands Class Letter Essay807 Words   |  4 Pagesit again, which is nice. If you don’t get 10/10, then 1) take a picture of all the questions with the answers incase there are any repeats on the second test (there are hardly ever any repeats but it’s better to be over prepared than underprepared), and 2) use the coming week’s lectures to learn from your mistakes, ask questions about the material, and figure out why you’re wrong. The questions on the quizzes will help you prepare for the midterm and final. For the research paper, make sure to pickRead MoreGraduation Speech On Attending College And Playing Collegiate Sports1503 Words   |  7 Pagesthe sort. Then after two-years I will attempt to transfer to Central Washington University and finish my college education there. Section II: The Syllabi/Living The grading policy for most teachers, all the way up through high school, for the most part is consistent throughout all of the classes, when I was researching these college syllabi, I saw grading systems and scales that I have never seen before. For example my english syllabus has eight different sections that total up to 1000 points atRead MoreLGMT 636 Online Syllabus 0311 1 2607 Words   |  11 Pagestoday’s complex and interdependent world. Learning Outcomes Upon course completion, students will be able to: 1. Describe the importance of transportation in the global economy and its role as a source of competitive advantage for firms and governments operating nationally and internationally. (PO 2) 2. Explain the essential role that transportation plays in supply chain management. (PO 1) 3. Discuss the historical development and effects of regulatory laws and public policy on the various modesRead MoreMgt3610 Baruch Outline2686 Words   |  11 Pages †¢ Syllabus Overview/Introduction/Administrivia;†¢ The Role of Services in the Economy†¢ The Nature of Services†¢ Service Strategy | Ch 1Ch 2Ch 3 | Due for next Fri 9/2 by class time into Assignment Drop Box in Blackboard Chapter 3 Case: The Alamo Draft House (answer case questions) | 9/2 | †¢ New Service Development†¢ The Service Encounter†¢ Supporting Facilities and Process Flows | Ch 4Ch 9Ch 7 | Due for Fri 9/9 by class time into Assignment Drop Box in BlackboardChapter 4 Case: 100 Yen Sushi HouseChapterRead MoreBusn 278 Budgeting and Forecasting Entire Course2028 Words   |  9 Pagesre-course/ BUSN 278 Budgeting and Forecasting Entire Course BUSN278 Week 1 Section 1.0 Executive Summary (Draft) BUSN 278 Week 2 Section 2.0 Sales Forecast (Draft) BUSN278 Week 3 Section 3.0 Capital Expenditure Budget (Draft) BUSN278 Week 4 Section 4.0 Investment Analysis (Draft) BUSN278 Week 5 Section 5.1 Pro Forma Income Statement (Draft) BUSN278 Week 6 Section 5.2 Pro Forma Cash Flow Statements (Draft) BUSN278 Week 7 Final Budget Proposal BUSN278 Week 7 Final Presentation BUSN278Read MoreBusn 278 Budgeting and Forecasting Entire Course2039 Words   |  9 Pagesre-course/ BUSN 278 Budgeting and Forecasting Entire Course BUSN278 Week 1 Section 1.0 Executive Summary (Draft) BUSN 278 Week 2 Section 2.0 Sales Forecast (Draft) BUSN278 Week 3 Section 3.0 Capital Expenditure Budget (Draft) BUSN278 Week 4 Section 4.0 Investment Analysis (Draft) BUSN278 Week 5 Section 5.1 Pro Forma Income Statement (Draft) BUSN278 Week 6 Section 5.2 Pro Forma Cash Flow Statements (Draft) BUSN278 Week 7 Final Budget Proposal BUSN278 Week 7 Final Presentation BUSN278Read MoreInternational Accounting4701 Words   |  19 PagesGaining an entry-level knowledge of international financial reporting standards (IFRS) and how IFRS differs from US GAAP. Grades will be determined as follows: 1. Midterm exam 20 possible points 2. Homework collection 15 possible points 3. Participation 15 possible points 4. Group project 15 possible points 5. Final exam 35 possible points NOTE: I assume that you should invest—at a minimum—three hours of time outside of class for every credit hour in class. Thus, for thisRead MoreSample Resume : Midterm Take Home Exam2198 Words   |  9 PagesBiology/Philosophy 4306 Spring Semester 2015 Midterm Take Home Exam Due March 20th at 6:00pm 20% of Final Grade Minimum Word Count: 1500 Maximum Word Count: 3000 Instructions: Provide answers for six of the questions below. It is your choice which six you answer. Upload your completed exam at or before the deadline on our course’s Blackboard page under the â€Å"Exams† tab. Proper citations are required for all references. I will look at drafts of your exam up to a week before it is due. You may discussRead MoreFactors Affecting the Low Performance in National Achievement Test of Grade 6 Pupils6433 Words   |  26 Pagesmaster their facts, they must be exposed to a variety of strategies and be able to construct efficient mental tools that will help them. Maths is a wonderful subject. The importance of maths which will be quality math help for students are as follows:   1.Maths is a tool for the subjects like Physics and chemistry in higher secondary and above.   2.Nothing can be done in Architecture and Designing without the knowledge of Maths.   3.It enables students to interact with numbers.   4.Buiseness is all about

Wednesday, May 6, 2020

Comparison Between Pale Horse, Pale Rider By Katherine Ann...

Comparison Between Pale Horse, Pale Rider By Katherine Ann Porter And The Snows of Kilimanjaro By Ernest Hemingway This paper is going to discuss and analyze fully two short American fiction stories which are Pale horse, Pale Rider by Katherine Ann Porter and The Snows of Kilimanjaro by Ernest Hemingway. By reading the bibliographies of both these authors, one finds that Porter and Hemingway have met in a certain period of their life, where they could have shared lots of ideas and agreed on lots of different issues. By the end of reading both stories, one notices that there are lots of similarities found in both stories. One of the obviously noticed similarity is the autobiographical elements†¦show more content†¦The author effectively uses the dream to foreshadow the evil and tragedy that will affect Miranda from the world she lives in. after the dream the author moves the reader from the world of Mirandas imagination to the real world by stating an indirect everyday thought But let me get a fine yawn first. The dream world represents the real world. On the other hand, in The Snows of Kilimanjaro the fantasy world and memories of Harrys past are shown by an italic style of typed text, which can be easily determined. Most of Harrys (the protagonist) memories are of his past as a writer and his love affairs. Harry lives his life through his past, he regrets everything he done, hes mentally and physically ill. Harry is very bitter towards the woman, his companion on the wild African safari, his remarks were very cruel and harsh, for example you bitch, you rich bitch. Perhaps the inspiration of Harrys character came from Hemingway who was misogynist himself. Harry blames his failure on everyone but he havent got the cpurage to face reality and blame himself, she shot very well this good, this rich bitch, this kindly

Motion in inferno Free Essays

The entrance into the second circle of hell marks a descent, a motion downwards, and this type of action is significant both in this fifth canto and throughout the whole of Dante’s Inferno. The theme of motion is dominant in this episode through the use of the winds and rains. It also comes out in other subtler motions that intertwine with the shades and the sins that brought them to this their eternal home. We will write a custom essay sample on Motion in inferno or any similar topic only for you Order Now The motions involved here are very frictional. They tell of coming and going, as well as of the conflict between the two. These motions depict a large amount of antagonism, yet they also tell of passivity and subjugation. They underline the posture of the persons involved as well as accentuate their roles in the epic. The motions evident in the poem also give insight into the nature of the hell being depicted. Much can be understood about the degree of the souls’ torment by the types of motion to which they are subjected. The motions of Minos make him out to be a wielder, and this gives him an air of being in charge. He wields his tail, and with that authority. He â€Å"girdles† and â€Å"entwines† himself, and this motion is symbolic of the extent to which those sent to him will be bound and tormented in hell (Alighieri, 15). It is interesting that the degree of hell itself is depicted itself by a girdling, as each degree entwines a more horrifying one. This shows a unity of action between the motions of Minos and the nature of hell itself. The spirits â€Å"come there before him† (15) and their movement toward him takes place in a manner of subjection. They are at his mercy, just as they will be at the mercy of the events of the hell to which his motion will whisk them. One almost gets from it the idea of the spirits’ genuflection before an elevated Minos. He sends, and that idea depicts a motion away from himself; but it also demonstrates mastery, as the souls who go away from him do so at his bidding. Then, the motion with which he sends them is akin to the manner in which they are taken. They are whirled away to the place of their doom. Motions of coming and going occur regularly in this place of gale forces. The motion of the winds is demonstrated by a coming and going. The motion from one circle of hell to the next dooms that spirit to spend eternity in a much more horrifying place. What is more is that each frictional motion to and fro, each coming or going, often happens in fast succession one upon the other, so that it almost seems that they occur at once. The spirits are forced into this frenzied motion by the winds: â€Å"hither, thither, down, up it carries them† (15). This motion echoes their plight. They are forced to come to this place, though in the same instant that they must come, their will is to go. This oscillating motion is indicative of the fact that decision is not granted those who have been condemned to hell. Hell is a place that commands, and all who go there must heed its every whim. There is also nothing inherently rational about that place, or at least its orders are not bound to be so. The vacillation of the winds shows that caprices of punishment are to be expected. Yet all will be punishment. Ideas of combat and battles are expressed by the motion in the passage. Warfare and all that is connected with such an event is present in the episode’s movements. Looting and plundering are involved in these events. The place is described as moving â€Å"as the sea does in a tempest, if it be combated by opposing winds† (15). The winds arise again in this image, but this time their motion creates an atmosphere of battle. This place is one of fighting, where the event smites and molests the â€Å"spirits in its rapine† (15). The whole atmosphere is described as a restless hurricane that pummels the souls that come within its domain. It rushes and blasts them, so that its very motion is of a type that harms and invites (impossible) retaliation. The only record of the souls’ giving back damage is in their lamentation, which smites the speaker as he comes near them. Though it is a battle, it is one that is already won for hell. Its pounding motions perpetrate upon its prisoners a torment that grants them no repose. Another motion that depicts the nature of hell is its ability to impose its will upon the damned souls. This ties in with the ideas that have gone before: the souls are often being carried and led. The shades are borne along by strife (15), and their motion in the air forms that of a long line, as the captives are being led in the train of death and damnation. This subjugation to the will of the forces of darkness mirror the subjection these souls once had to their own evil lusts. They are described as having been â€Å"called by desire† (16); called, not just in the sense of a foreign summoning but in the necessity they feel to move toward the source of the calling. These souls find themselves in hell because of influences upon their actions that have caused their motions toward things. It depicts a resignation to forces that cause actions that in turn lead to the peril of the damned, on whose part passivity (the lack of autonomous motion) is implied. This idea is extended in the stories of those whose love was the precipitant of their doom; it, in effect, was the catalyst of their motion toward hell. This love led them, and they in their passivity allowed themselves to be led. In fact, when the speaker addresses one of the souls described as being in motion â€Å"through the lurid air† (16), the same soul is described as â€Å"benign,† and this gives an idea of stillness and passivity that hints that the energy for its motion is generated by an outside source. Love is a slave-driver to all of them, continually making them move toward things they otherwise might not have chosen. Some even killed themselves for love, and this signifies a motion toward death that ushered their entrance into hell. Strangely, Achilles was somehow able to deviate slightly from this trend. He, after being ruled by love for so long, makes a motion toward self-government and fights with love. There is no evidence of his triumph, however, as he remains one of the captives of hell. In order to allow the lover Francesca to tell her story, the motions of the winds hush and the seas become quiet. A level of calm is depicted in the cessation of the motion of elements even beyond the dominion of hell. The city of the speaker’s birth rests its weight upon the seashore, and this motion effects the stillness of the waves. The river Po is seen as descending in order to have peace, so it too moves from motion to stillness. Prior to this, a quasi-invocation to the â€Å"King of the universe† (16) was given by the speaker for Francesca’s peace. Its effect is this stillness that would allow her to speak of happier times, and grant her at least a respite, if not complete relief. This seems to point toward a purgatorial notion of hell, where the living can pray to God for the succour of the damned. It implies that the motions of hell that grant agony to the spirits can be shielded by a divine Hand, further implying that hell itself is driven by an even greater power than itself. It is evident that the images of motion in the fifth canto of Dante’s Inferno create a dynamic theme that moves the reader along from the entrance to the portal through to the other dimensions of hell. The motions are indicative of the authority of hell over the souls that are quartered there. Ideas of abasement are dominant in the souls’ lack of autonomy, in their compulsion to do the will of the forces that surround them. Their spirits are flung upon winds, just as in life their wills were navigated by their desires. Other motions tell of a hell as a battlefield of lost causes, as the spirits are doomed, regardless of any desire they might have to fight. The nature of hell is to subdue and to punish, and its motions are ministrants of power that deals out anguish. How to cite Motion in inferno, Essay examples

Motion in inferno Free Essays

The entrance into the second circle of hell marks a descent, a motion downwards, and this type of action is significant both in this fifth canto and throughout the whole of Dante’s Inferno. The theme of motion is dominant in this episode through the use of the winds and rains. It also comes out in other subtler motions that intertwine with the shades and the sins that brought them to this their eternal home. We will write a custom essay sample on Motion in inferno or any similar topic only for you Order Now The motions involved here are very frictional. They tell of coming and going, as well as of the conflict between the two. These motions depict a large amount of antagonism, yet they also tell of passivity and subjugation. They underline the posture of the persons involved as well as accentuate their roles in the epic. The motions evident in the poem also give insight into the nature of the hell being depicted. Much can be understood about the degree of the souls’ torment by the types of motion to which they are subjected. The motions of Minos make him out to be a wielder, and this gives him an air of being in charge. He wields his tail, and with that authority. He â€Å"girdles† and â€Å"entwines† himself, and this motion is symbolic of the extent to which those sent to him will be bound and tormented in hell (Alighieri, 15). It is interesting that the degree of hell itself is depicted itself by a girdling, as each degree entwines a more horrifying one. This shows a unity of action between the motions of Minos and the nature of hell itself. The spirits â€Å"come there before him† (15) and their movement toward him takes place in a manner of subjection. They are at his mercy, just as they will be at the mercy of the events of the hell to which his motion will whisk them. One almost gets from it the idea of the spirits’ genuflection before an elevated Minos. He sends, and that idea depicts a motion away from himself; but it also demonstrates mastery, as the souls who go away from him do so at his bidding. Then, the motion with which he sends them is akin to the manner in which they are taken. They are whirled away to the place of their doom. Motions of coming and going occur regularly in this place of gale forces. The motion of the winds is demonstrated by a coming and going. The motion from one circle of hell to the next dooms that spirit to spend eternity in a much more horrifying place. What is more is that each frictional motion to and fro, each coming or going, often happens in fast succession one upon the other, so that it almost seems that they occur at once. The spirits are forced into this frenzied motion by the winds: â€Å"hither, thither, down, up it carries them† (15). This motion echoes their plight. They are forced to come to this place, though in the same instant that they must come, their will is to go. This oscillating motion is indicative of the fact that decision is not granted those who have been condemned to hell. Hell is a place that commands, and all who go there must heed its every whim. There is also nothing inherently rational about that place, or at least its orders are not bound to be so. The vacillation of the winds shows that caprices of punishment are to be expected. Yet all will be punishment. Ideas of combat and battles are expressed by the motion in the passage. Warfare and all that is connected with such an event is present in the episode’s movements. Looting and plundering are involved in these events. The place is described as moving â€Å"as the sea does in a tempest, if it be combated by opposing winds† (15). The winds arise again in this image, but this time their motion creates an atmosphere of battle. This place is one of fighting, where the event smites and molests the â€Å"spirits in its rapine† (15). The whole atmosphere is described as a restless hurricane that pummels the souls that come within its domain. It rushes and blasts them, so that its very motion is of a type that harms and invites (impossible) retaliation. The only record of the souls’ giving back damage is in their lamentation, which smites the speaker as he comes near them. Though it is a battle, it is one that is already won for hell. Its pounding motions perpetrate upon its prisoners a torment that grants them no repose. Another motion that depicts the nature of hell is its ability to impose its will upon the damned souls. This ties in with the ideas that have gone before: the souls are often being carried and led. The shades are borne along by strife (15), and their motion in the air forms that of a long line, as the captives are being led in the train of death and damnation. This subjugation to the will of the forces of darkness mirror the subjection these souls once had to their own evil lusts. They are described as having been â€Å"called by desire† (16); called, not just in the sense of a foreign summoning but in the necessity they feel to move toward the source of the calling. These souls find themselves in hell because of influences upon their actions that have caused their motions toward things. It depicts a resignation to forces that cause actions that in turn lead to the peril of the damned, on whose part passivity (the lack of autonomous motion) is implied. This idea is extended in the stories of those whose love was the precipitant of their doom; it, in effect, was the catalyst of their motion toward hell. This love led them, and they in their passivity allowed themselves to be led. In fact, when the speaker addresses one of the souls described as being in motion â€Å"through the lurid air† (16), the same soul is described as â€Å"benign,† and this gives an idea of stillness and passivity that hints that the energy for its motion is generated by an outside source. Love is a slave-driver to all of them, continually making them move toward things they otherwise might not have chosen. Some even killed themselves for love, and this signifies a motion toward death that ushered their entrance into hell. Strangely, Achilles was somehow able to deviate slightly from this trend. He, after being ruled by love for so long, makes a motion toward self-government and fights with love. There is no evidence of his triumph, however, as he remains one of the captives of hell. In order to allow the lover Francesca to tell her story, the motions of the winds hush and the seas become quiet. A level of calm is depicted in the cessation of the motion of elements even beyond the dominion of hell. The city of the speaker’s birth rests its weight upon the seashore, and this motion effects the stillness of the waves. The river Po is seen as descending in order to have peace, so it too moves from motion to stillness. Prior to this, a quasi-invocation to the â€Å"King of the universe† (16) was given by the speaker for Francesca’s peace. Its effect is this stillness that would allow her to speak of happier times, and grant her at least a respite, if not complete relief. This seems to point toward a purgatorial notion of hell, where the living can pray to God for the succour of the damned. It implies that the motions of hell that grant agony to the spirits can be shielded by a divine Hand, further implying that hell itself is driven by an even greater power than itself. It is evident that the images of motion in the fifth canto of Dante’s Inferno create a dynamic theme that moves the reader along from the entrance to the portal through to the other dimensions of hell. The motions are indicative of the authority of hell over the souls that are quartered there. Ideas of abasement are dominant in the souls’ lack of autonomy, in their compulsion to do the will of the forces that surround them. Their spirits are flung upon winds, just as in life their wills were navigated by their desires. Other motions tell of a hell as a battlefield of lost causes, as the spirits are doomed, regardless of any desire they might have to fight. The nature of hell is to subdue and to punish, and its motions are ministrants of power that deals out anguish. How to cite Motion in inferno, Essay examples