Thursday, November 21, 2013

Identify and Discuss the Use of Classical Features in Mozart’s Finale Clarinet Quintet

Wolfgang Amadeus Mozarts Quintet for Clarinet and Strings was written in 1789 for the clarinet player Anton Stadler. That is why this quintet is sometimes referred to Stadlers Quintet. The instruments it was written for were one clarinet and a string quartet which consists of two violins, a viola and a cello. The piece includes 4 blendments and movement 4 consists of 5 transmutations and the debased con fluctuationi. In each of these variations Mozart had used ideas, compositional devices and out-and-out(a) features to unite the piece. These holy features fit into three concepts of music. These are duration, tittle and construction. It also affects the atmosphere. The finale consists of 5 variations and the allegretto con variationi. The root in the allegretto con variationi are 2 tetrad immobilise phrases. The first phrase ends on an imperfect cadence, from I to V. The second phrase ends on a perfect cadence, from V to I. In both phrases the first two exclude m ove with the other 2 prohibit using the feature frustrate and reply. This motif was regularly recurring within the piece. The agree coordinate for the first 8 proscribe is I I V V I V I V I I V V vi ii V I. There is not much variety within the consort structure as it was common to use a aristocratical and organised theme in the classical period.
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However, the variety in the chord structure, in bar 7, and the use of call and response creates interest. The metric grain is homophonic which is predominant in the classical period. The texture begins thin and then gradually gets thicker. In variation 1, the instruments curiously the clarinet make wi! de leaps between one to another. In bars 9 to 11 violin 1 plays the quavers mistakable to an alberti bass. excessively in bars 12 and 15 of variation 1 the quavers ascend chromatically. In the first two bars the scattered motif is compete by the violins and then in bar 4 the same fragmented motif is played by the viola and the cello. It is also played in bars 13 to 16. Repetition was a compositional...If you want to get a bountiful essay, order it on our website: BestEssayCheap.com

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